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A Century Is Nothing A Century Is Nothing
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The Language Company The Language Company
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Subject to Change Subject to Change
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Ice girl in Banlung Ice girl in Banlung
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Entries in writing (441)

Monday
Aug212017

Suicidal Clare

A cell phone played. Omar rummaged in his robes. A depressed suicidal woman named Clare in Washington State was on the Suicide Hot Line. It may as well have been shit out of luck S.O.L. He switched from Arabic to English.

“Yes?”

“I am trying to save my insecure relationship from jealousy.”

“Jealousy’s a disease. It eats people alive. What are you looking for?”

“I am looking for love and meaning. Can you help me?” She had all the questions.

“I am only an emissary between people. Between you and your dream.”

“It’s a nightmare. What’s going to happen to me?” 

“You’d best be prepared for armies of touts, hustlers, beggars, thieves and economically loveless destitute men. They will want to escort, guide, lead, and administer their opportunity,” he said.

“Will they be gracious or benevolent with their tricks, traps, deviations and detours offering fake potential to save me? Will their well formed greed based on my desire, an illness of imaginary needs plead for my attention deficit disorder?”

“Yes. Eight hours on the ground in Morocco will seem like twenty-four. You’ll become a character in your own low budget film. It will open in small art theaters. You’ll be all the characters in the comic tragedy.”

Listening to Omar, I imagined everything as the suicidal woman’s voice assaulted the blind man.

Clare was too poor to pay attention.

She was beat. Omar knew Clare would be an expendable extra in an independent film. If she didn’t get real smart real fast she’d be lost in the drama. She needed a new identity theory. She’d change her name to Clarification.

The story was complicated with many jump cuts.

I remembered Ann, a New York literary agent’s advice. “Keep the big themes in mind and give us strong narrative structure.”

“Why? It’s not linear or logical.”

“I can only represent you if your work has these ingredients. Publishers want books for a general readership. It’s a tough market now. 175,000 books were published in this country last year.”

“I’ve survived markets in many countries Ann. It’s a miracle I’m alive to tell the tale. Traditional publishing is all about marketing, branding, product, price and placement with a hook.”

“True. It’s too disjointed and sporadic as it stands. You need you to express more artistic and emotional beauty. I expected more from your time in Vietnam. I want to feel what you felt. I want you to expose your vulnerability. I want to detect patterns and opportunities.”

“Vietnam was FUBAR, Ann. like Iraq, like any conflict.”

“What’s that mean?”

“Fucked Up Beyond All Recognition.”

“Oh, I see.”

“This is honest work Ann. Memoirs and stories are about hunger. Some are even about food. This is edgy gonzo shit. It blends creative nonfiction with memoir, travel writing, personal essay, literary journalism, social commentary, magical realism, and ethnology. I’ve asked myself, who or what has come alive? I’ve let it speak. I’m a conduit.”

“Tighten it up and send me your revisions. You can’t be a one-trick pony in this business. I need to make 15% off your genius because I’m the expert. What else are you working on?”

“At the moment I’m traveling with Omar, a blind Touareg Berber from Morocco who lives in a Spanish cave with a tribe of survivors after 9/11. He’s one hell of a storyteller and we’re sharing tales. He’s given me a stack of paper higher than Everest to read and revise. His daughter is a word-weaver of serious renown working on a new narrative structure in an isolated Spanish pueblo. Together we’ve weaved 180,000 words so far. It’s about levels of personal and spiritual awareness, emotional growth, 9/11 repercussions, terrorism, religion, cultural prejudice, and healing.”

“What’s your hook in fifty words?”

“How oral traditions, myths, and truths are passed in verbal form from generation to generation in a highly metaphorical way. Stories are primarily a comic vehicle for moral instruction or spiritual guidance. Tragic narratives have been overused since the Greeks and Europeans. A tribe’s customs and structure...healing, authenticity, awareness, alienation, loneliness, boredom...it’s just a fucking book for God’s sake ...sheets of paper inside two pieces of cardboard...we’re breaking up Ann. I can’t live with him and I can’t live without him, this blind muse of a seer. I’ll call you when I get back to the states of conspicuous consumption. To the states of amnesia.”

Meanwhile, Clare changed long distance carriers to get a better plan. She failed to plan and planned to fail. She whispered to Omar on a tenuous connection, “I played a willing manipulative victim. I wanted to kill myself. I wanted people who loved me to feel guilty and responsible for my suffering. My life is fear and ignorance. I collapsed inside my chaos, fear and grasping. I had to ask for help.”

“I see,” said Omar in a clear clairvoyant voice.

“I tried a walking meditation. It was really hard. I crawled. I walked. I tried to run. I collapsed into the quicksand of my neurosis. I wanted to fly like an eagle. My monkey mind went nuts. I slowed down sensing a new beginning inside me, inside my life. I walked on the curvature of the earth.”

“Marvelous. You have to break down before you break through.”

“I need to see you,” she said. “Where can I find you?”

“At Paleolithic caves south of Ronda.”

Before their connection died Clare related a quick story.

“There was a horrific accident.”

“What happened?”  Omar knew what he didn’t know.

God and Allah and the devil are in the details.

“Crazy men took planes and crashed them into city sky scrapers. The big apple.”

“I see.” He paused to hear more. It was a learning tool he picked up moving through the world’s worst nightmare manifesting historical fairy tales where Poverty and Wealth raised children named Expectations.

“Yes,” she said, “it was shocking.”

“Has the healing started?”

“Healers are working overtime. It’s going to take forever,” she stammered.

“Yes,” he said, “17,000 children in the world starve to death every day. Poverty is the real terrorism.”

“Oh,” she said, “I didn’t know that.”

“It’s just a thought.”

She couldn’t believe he didn’t know. Media masters in her right wing country had assembled their militant word/image arsenal and persuaded, cajoled, sold, exchanged, blasted, admonished, punished, harangued and scared them shitless, informing them how it affected their little world.

They ate fear like there was no tomorrow.

She was one weak sister. Being depressed and suicidal didn’t help. Friends, family and media convinced her the world was one huge scary place and she was a small expendable organism. Her habitat was on a well-exploited fault line. They sold her fear, healthy doubt and compassionate uncertainty in a nice neat little package. She consumed the whole enchilada.

“Omar and his friends knew many would remain in their complacent darkness,” said a veiled woman in the compartment.

They turned to her.

“It was very comfortable there. They would always live in shadows, oblivious to historical truths blinded by five senses, colors, sights, sounds, vibrations and frequencies. They were transparent h-saps. It went right through them. Clear through.”

“How do you know this?” said Omar.

“Their world is made of glass, their vision obscured by ignorance and compliant stupidity. They needed a large dose of painkillers and glass cleaner for their belief windows. Tears softened their pain. They wiped down the days of their demise,” she said looking out windows flashing their reflections. She had old deep wise eyes.

“How do you see this prophecy?” said Omar.

“My name is Rose. I am a seer. I was born in the dark of the moon. I remember the future.”

“Where do you come from and where are going?”

“I’m like you and your companion here. Passing through.”

 The three of us were very comfortable with the dark arts, shifts, universal frequencies and manifestations.

The Heart Sutra said, ‘emptiness was form and form was emptiness.’

A Century is Nothing

Tuesday
Jul252017

Sewing in Kampot

A sewing woman returned to her Kampot guesthouse. She splashed water on her face, changed clothes and spit into red roses. She kick started her cycle and rode to the local market inside a dirt labyrinth.

At her corner stall she keyed multiple locks. She stacked numbered wooden shutters. She dragged out her Butterfly sewing machine, ironing board and manikins.

Dummies wore exquisite yellow, purple, blue, white shimmering silks decorated with sparkling silver stars, moons and small reflecting balls. Her skill designed fabrics for women needing elaborate sartorial refinement attiring engagements, weddings and cremations.

She stayed busy with serious fittings and adjustments. Her universal process was selecting fabric; measurement, ironing backing, a ruler, white chalk to mark pleats, cutting, pushing her machine treadle, pins, threads, trimming edges, hand sewing clasps, shiny connections and ironing.

Threads inside a slow prism flashed light and shadow as needles danced through cloth in endless conversations.

Needles talked about traditional conservative behaviors, attitudes and opportunity-value cost.

Thread followed their conversations. Together they measured precise calculations establishing a stop-loss number.

All explanations have to end somewhere.

Sky darkened

Ceremonial tribal drum thunder sang

Vocal intensity

Lonely lost suffering

Foreign faces

In Cambodia

Shuddered with fear

What if I die here?

How will my family and friends realize my intention to witness 1200 years of dancing Angkor laterite stoned history in gnarling jungles revealed by natural strobes? 

Lightning flashed skies

Giant flashbulbs

Illuminated petrified children

Buried inside cement caverns

Floating bamboo homes

Eyes

Eating cartoon images

On plasma screams

Skies opened

Rain lashed human crops

Rice blossomed green

Cloud tears cleaned earth

Sweet dreams baby

Rita, Ice Girl in Banlung smashing blocks of ice inside a blue plastic bag with a blunt instrument created a symphony outside unspoken words as a homeless man with a pair of brown pants thrown over a thin shoulder sat down to rest.

Shy women waiting for Freedom averted black eyes.

Aggressive market women manipulated stacks of government issued denominations trusting an implied value in exchange for meat, fruit, vegetables, gold, cotton and silk.

Counting and arranging denominations inside broken beams above fractured cement and mislaid wooden planks covering sewage channels with debris, feathers, jungles and jangled light particles, financial dealers surveyed commercial landscapes with dispatched dialects near rivers revealing stories with fine stitched embroidery.  

Lucky and Zeynep played a musical interlude in Bursa, Turkey.

“I know the music but forgot the words,” said an adult swallowing Xanax.

“Music is the fuel,” said Zeynep spinning her Sufi dervish trance dance.

An Anatolian mother intent on cleaning disorder - afraid of losing control of chaos because nature loves a beautiful mess - on her apartment balcony after shaking out wet underwear, dish towels and frayed family threads, hung them in shameful angry regret and slammed her door on dervish music, It's the devil's music. She loved sitting in dark rapacious self-pity waiting for a jingle jangle phony tone.

“Are you alive?” she said to her cellular daughter.

“I survived,” said a disembodied voice.

“Where are you? When are you coming home?”

“I’m with a tribe of women. We’re breaking down and breaking through old conservative values. They are so narrow we’ll need a crowbar or acetylene torch or C-4. We’re developing personal empowerment and dignity. I’ll be home someday mother. I’m doing my healing work.”

Her voice died. Swallowing ignorance mother lapsed into healthy doubt’s quicksand.

At sunset an imam’s recorded voice twittered from a mosque near Achebadem, “Allah is great and merciful. Buy a ticket.”

Push Play.

Monday
Jul172017

mind stream transmission

The Temple of the Divine Madman

Bhutan

Druk Yul - Land of the Thunder Dragon

Keep it raw

Human flourishing

Eudaimonia

*

Under this mask, another mask.

I will never be finished removing all these faces.

*

Wandering river mystic wind

Rhythm of world

Dances

No fear

Expanding joy

Contentment

Laughter therapy

*

Jump out of your skin

Backwards

Dream

*

Mind-stream transmission

Form is emptiness

Emptiness is form

Sunday
Jul162017

Take Amazing Risks

“To do amazing things you have to take amazing risks and suffer greatly,” said Zeynep, his five-year old genius friend in Bursa, Turkey.

 “Here,” she said, “many a-dolts stay with their mothers forever and a day because they are afraid of freedom and accepting responsibility for their lives.

“They eat fear morning noon and night. They are afraid to speak their honest feelings, to express their innate desire for independence.

“Learned helplessness. They are willing victims of traditional conservative attitudes and values. Free will is a foreign language. They are scared of taking risks, letting go and growing. I may grow old but I’ll never grow up. If I grow up I die.”

“I feel the same way.”

One day while sharing lunch and drawing in notebooks, Lucky said, “When I was nine I was going on 50. Now I am 50 going on nine. I exist outside adult time.”

“We are passing through,” Zeynep said lighting a candle in darkness.

After Ankara he’d accepted a new adventure in Bursa. This shocked everyone in the capital lower case. They assumed he’d stay with them forever. Students and teachers celebrated his transition with a sparkling cake. Women cried sadness and joy.

“We are not here for a long time, we are here for a good time,” said Sappho the poetess.

One adult student who’d articulated her desire to move to Constantinople during the Ottoman Empire seeking an educational engineering job in a quality control factory school producing obedient robotic idiot children and live with her boyfriend cowered behind her futile quest for independence from over-protective parents. “My father won’t let me.”

Oh the shame.

“Take control of your life. Get a grip. Let go. Jump. Discover courage and your wings on the way down.”

The Language Company

 

Saturday
Jul082017

We Had An Encounter

(Post coup, July 2016 - Turkey's government solidifies control over military, judiciary, medias, education. Over 120,000 judges, teachers, police and civil servants suspended or dismissed, together with about 40,000 formally arrested.)

On a 5th floor balcony in Ankara, Turkey, Lucky fed wild birds, nurtured roses and played in good dirt.

He collected poetic and photographic evidence.

The rise and decline of Byzantine civilizations heard historians standing on street corners, lost highways or walking arduous mountain paths amid sweet smelling manure with tattered hats in hands pleading, “Give me your wasted hours. Give me your wasted hours.”

Besides helping students discover the courage to speak another tongue with an active voice at The Language Company he got a part-time job driving a taxi-bus.

At 9:11 p.m. he drove a 15-seater minivan to a Soviet-style apartment in a middle class neighborhood. A swarthy man named Pida Pie apple of his mother’s eye opened a sliding door.

A symphony of high heels announced a parade of skintight blond Russians. They purred into the taxi-bus. He smelled cosmetics, lip-gloss and sex. The night was young.

Sly Pide Pie got in.

“Go man go.”

Lucky delivered the ladies to The Kitty Cat Night Club and returned to the apartment for another load. By 10:10 p.m. he’d transported thirty.

“Pick them up at 5:15,” said Pide.

Lucky went home for a catnap with his estranged wife from an arranged marriage. She’d traded her sex for security and knew how to rub a ruble together.

After collecting women smelling of dancing, drinks and cold-blooded sex with diplomats and Turkish tycoons he took them home. High heels and acrylic language laughter faded. Dawn broke bread.

He stopped at a cafe for muddy coffee and aired out the taxi-bus.

Beginning at 7:00 a.m. he picked up kids for their daily dose of force fed feedlot education. They stumbled out of apartments piled in and fell asleep. Weeping mothers on balconies waving soiled red/yellow hammer and sickle cleaning rags sang good-bye to despondent sons and daughters.

A Chinese waif dreaming of autonomy had her eyes wide open. “Patience is my teacher,” she said.

“I remember you from the Fujian university. How did you get here?”

“I graduated with an M.A. in Languages, Humor and Courage. I stowed away on a ship leaving Shanghai. It sailed through the Straits of Malacca, the Suez Canal and into Izmir. I hitched here and got lucky. I discovered a nanny position with a family. I tutor their kids and teach Chinese calligraphy at the school.”

“Great wild future. What happened to your dream about being a waif?”

“No fear. It’s in The Dream Sweeper Machine. The day after tomorrow belongs to me. I am Curious.”

“Nice to meet you. I'm Lucky.”

“Sure you are. May I drive?”

“Why not,” giving her the tantric wheel of life.

“Wow,” she said, shifting gears, “this is fun. Let’s see how slow we can go.”

At 8:15 a.m. he returned home for a shower, good eats and dreams.

At 2 p.m. he walked to The Language Company. Students were doctors, lawyers, health care workers, engineers and university students. He was a guide from the side through etymology, phonology and morphology. The majority had passive verbs down.

“How are you,” he asked.

“So-so,” sang the chorus. “Tired. We need Xanax.”

Finished at 9:00 p.m. he started the Russian roulette acquisition cycle. “Put one in my chamber,” whispered a leggy blond. “My safety is off and I am well lubricated.”

Every morning, working with Omar, a blind Touareg amanuensis from the Sahara, whom Lucky befriended by fate in Morocco two days before 9/11 while on a six-month hiatus from the united states of consumption, they finished polishing a gonzo memoir. A Century Is Nothing. Omar sent it out.

Fifty unemployed suicidal literary agents huddled around a fire in a Benaojan cave south of Ronda, Spain read Omar’s epic.

26,000 year-old Paleolithic paintings and dancing shadows displayed bison, deer, archers, and crude time-comb slashes. Red and black fish were trapped in black cages. Fingerprints whorled hunting stories.

Agents concurred. It isn’t mainstream and too experimental. We can’t realize 15% from this. Thanks but no thanks. Let’s burn it to keep warm.

Omar published it independently in October 2007. He loved the do it yourself process: text, blurb, design, basic marketing and cover image of a Chinese girl.

“Yes,” Omar said, “it’s almost as true as if you can believe it.”

Few read it and fewer understood it.

Lucky shared it with friends and strangers. His best friend buried a copy in an Arizona time capsule.

Omar sent copies to nomadic Blue Men in the Sahara.

Through Constantinople publishing contacts it was available at D&R Books in Ankara, Bursa, Timbuktu and a big river in South America.

They selected the cover photograph. The girl’s image expressed emotional honesty with natural innocence.

 

She was trapped behind a hard steel grate-full educational reality in Maija, a poor village in Fujian, China.

Her eyes held world secrets and unlimited potential. She’d stared at Lucky, a professional stranger and an aberration in her universe. Her sisters and schoolmates pushed against her. She was trapped against a locked gate. He was on the other side.

He raised a small black machine to his eye. She heard a subtle click. A shutter opened and closed freezing time, capturing her soul on a memory-fiction card. He smiled, thanked her and disappeared. She didn’t know her child eyes would grace a book cover for everyone to see, breathing her immortality in alchemical manifestations.

He’d visited her primary school speaking strange unintelligible words, singing and dancing. His laughter and smiles were a relief from the autocratic, punishing manner of bored illiterate women teachers. They didn’t want to be prisoners any more than the kids.

No one had a choice here. You did what you were told to do in a harmonious society filled with social stability, fear, paranoia and shame ordered from Beijing well removed from a world where farmers struggled behind oxen in rice paddies. Green rice stalks revealed their essence below a blue sky in mud and meadows of reality.

Leo said, “Censorship not only chokes artistic talent but also weakens the Chinese populace who are forced to be less imaginative and less inventive. The crisis in education has been a hot topic for years. Why are so many students good at taking tests but poor at analytical thinking? Besides the commercialization of education, the absence of a free, tolerant environment has stunted the growth of students and teachers.”

Self-censorship, shame, insecurity and humiliation devoured steaming white rice and subversive dreams.

In Ankara with Omar’s blessing Lucky signed copies. It was a strange sensation spilling green racing ink from a Mont Blanc 149 piston driven fountain pen on parchment fibers.

The first copy was for Attila the Hungry, a large bald man with a spectacle business. He sold Omar BanSunRa-Ray glasses on spec-u-lay-shun.

“The future looks brighter than a total eclipse,” said Omar.

In 2012 while living in Cambodia, Lucky and Omar cut the original to shreds, polished it and published the 2nd edition with Create Space on Amazon. Omar selected a new cover image of a serene Nepalese grandmother and granddaughter.

The Language Company 

Weaving A Life (Volume 4)