Poetry rocks russia

Greetings,

The passing of Mr. Voznesensky creates new opportunity and awareness for poets with courage and voice. Poets speak in the atmosphere of intimidation and menace. 

Here is a NYT piece on Russian poetry.

...Here is Pushkin’s poem “Good for the Poet Who ...,” a bitter satire of writers who would curry favor with rulers, in a translation by Yevgeny Bonver:

Good for the poet who applies
His art in royal chambers’ splendor.
Of tears and laughter crafty vendor
Adding some truth to many lies,
He tickles the sated taste of lords
For more greatness and awards.
And decorates all their feasts,
Receiving clever praise as fees ...
But, by the doors, so tall and stout —
On sides of stables and backyards —
The people, haunted by the guards,
Hark to this poet in a crowd.

Now there’s a declaration of independence.

Read more...

Metta.

Andrei Voznesensky 1933-2010

FATE

Fate is above me. Why should I browse?  Sleeping in dosses, an outcast, I rove. Grief is a cellar, that opens in every old house. A ditch is below me and fate is above. What did I want? Well, a life of contentment. What did I get? Just a coffin and wreath... Under the cradle a grave has been latent. Fate is above me, a ditch is beneath. Up in the sky my soul, like a hound, howls, despaired, the trigger to pull it was keen. Fate has come over my family background, and on the earth where fate is my kin. What have I done, apart from the simple poems I've written in passing to date? I've been a lightening conductor for people. Now I have broken my back. Such is fate. + Dear colleagues, I'm so happy: nowadays when all is well  I’m the only one who happens  to be criticized like hell. I’m a black sheep. No objection, for my living does make sense ‘cause I set off the perfection of my flawless author friends.    read more...

Hello June

Greetings,

May said goodbye. Goodbye. It's been fun hanging out with you for 31 little clicks. Yes it has, said June all bright and beautiful. Now I'm here with the sweet smell of summer. I am filled with destiny and hope.

Hope for what, asked May. See what happens, said June. You are history.

Yes you are, said the Khmer woman with a long dark shadowed shallow lined face slowing crossing the street. She wears a floral sarong, green blouse with a checkered red and white cotton scarf around her neck. She has a walking stick. She hopes for charity. Her hands are pressed together in a sign of blessing, gratitude.

Her age is unknown. Someone gives her paper money. Her dark recessed eyes say thank you. Raised palms say thank you. Her life is a walking meditation. Daily. Two barefoot monks wrapped in bright orange robes pass by. In silence. 

A man rings a bell. 

All the expectations were from the outside. 

Metta.

Tell me a secret

Greetings,

Ostim: an industrial wasteland manufacturing zone near Ankara.

It's time to go a wandering...inside the reality magic show, welcoming the opportunity, the gift as it is to receive, shifting into another zone of influence and experiential discovery. (Bursa)

As they know you are leaving, this distant. Perhaps they have repressed, regressed into their real way. I appreciated seeing, knowing, understanding how it is, how some people feel, O so sad and withdrawn in their personal way. Their Zen: Awareness. Moment. 

As usual my ghost moves through a transparent knowing. Tell me a secret. Screwing up is a virtue.

Sit by the cafe window. Sky, clouds filled with light: gray production pollution, dust, winter icicles, vapor, yellow haze, solitary birds on wing, rolling and tumbling...this small cafe and sky window, the kind Kurdish woman's hospitality, her delicious manta, a sanctuary from the chaos.

Take the 1310 metro to Ostim. Strange industrial landscape where men cannot afford gloves inside childhood's winter. Remove their hats and make monkey groom females in exchange for sex, and all the capital people slog in their struggle

remembering Rumi, how a human being is a kind of conversation, dancing down all the days of early winter clean cold silent

The art and elements of a Japanese folding placemat: shapes, designs, edges, art. Free form, free spirit. Play.

Draw, paint, sing, dance, disappear. Seize the day.

I love the smell of garbage in Cambodia.

Metta.

Human business plan.

Nature's business plan.

Drone on

Greetings,

After class I am walking on green carpeted space (imagining I'm in a small sleepy Cambodian river town) listening to two Frenchmen talk about their boring travels using a Lonely Planet book,

ok, it's a lonely planet, it's Earth after all, understanding how their experience contains all the wisdom of the same-same but different philosophy - what did they expect on a beautiful blue marble dancing in space

droning on like a Predator drone zeroing in on Afghan mountains where shrouded cloth covered humans cowering on THEIR lonely planet inside remote mountain caves near impossible borders

wait for the droning tourists to assault their position with illiterate guides: Sleep here. Eat here. Go here.

Armed with the sharp attentive diamond eyes, a precious precocious girl wrote words with red ink using a new Chopin piston fountain pen on this onion skinned Moleskine paper. It is a medium. M. It has a weight, a heft, a thick solid feel to its base, the black resin manifesting the ink, visceral realists. 

Savoring a feeling of tactile sensation - this nib, this edge of finding small joy seeing ink flow, this tactility, this delightful smooth flow, she dances a singularity.

It was a joy, slow and precise dancing ink on paper. The Art of Writing.

Simple on lonely planet.

Metta.

The library at Beng Mealea on a living planet.